Panorama Classic FAQ (v6 and earlier)

To: Panorama 6 Users
Date: September 30, 2018
Subject: Retiring Panorama 6

The first lines of Panorama source code were written on October 31st, 1986. If you had told me that that line of code would still be in daily use all across the world in 2018, I would have been pretty incredulous. Amazingly, the code I wrote that first day is still in the core of the program, and that specific code I wrote 32 years ago actually still runs every time you click the mouse or press a key in Panorama 6 today.

Of course Panorama has grown by leaps and bounds over the ensuing years and decades:

  • Panorama 1.0 was first released for 68k Macs in November 1988. Panorama 2 and 3 greatly expanded the functionality, user interface and programmability.
  • In 2000, Panorama 4 added native PowerPC support, and also was the first version of Panorama for Windows PC's.
  • Panorama 5.0 added support for OS X (using the Carbon API's), as well as full menu customization and the ability to extend the programming language.
  • In 2007, Panorama 5.5 introduced Panorama Server for multi-user and web based applications.
  • Finally, in 2010 Panorama 6 introduced native Intel support on the Mac.

Along the way Panorama was highly reviewed in major publications, won awards, and gained thousands of very loyal users. It's been a great run, but ultimately there is only so far you can go with a technology foundation that is over thirty years old. It's time to turn the page, so we are now retiring the "classic" version of Panorama so that we can concentrate on moving forward with Panorama X.

If you are still using Panorama 6, you may wonder what "retiring" means for you. Don't worry, your copy of Panorama 6 isn't going to suddently stop working on your current computer. However, Panorama 6 is no longer for sale, and we will no longer provide any support for Panorama 6, including email support. However, you should be able to find any answers you need in the detailed questions and answers below.

The best part of creating Panorama has been seeing all of the amazing uses that all of you have come up with for it over the years. I'm thrilled that now a whole new generation of users are discovering the joy of RAM based database software thru Panorama X. If you haven't made the transition to Panorama X yet, I hope that you'll be able to soon!

Sincerely,

Gilbert Strang Linear Algebra And Its Applications Solutions

Jim Rea
Founder, ProVUE Development

Gilbert Strang Linear Algebra And Its Applications Solutions Online

**The Story Behind the Libretto** The "9 to 5" musical is based on the 1980 film of the same name, which starred Jane Fonda, Lily Tomlin, and Dolly Parton. The film was a critical and commercial success, and its blend of humor, heart, and memorable characters made it a classic of 1980s cinema. When it came time to adapt the film into a musical, the creative team knew they had to stay true to the spirit of the original while also making it fresh and exciting for a new audience. The libretto for "9 to 5" was written by Kathy Fitzgerald and Matthew Sklar, with music and lyrics by Charles Strouse and Dean Pitcher (later replaced by Dolly Parton, who wrote new music and lyrics for the musical). The team worked tirelessly to craft a book that would bring the characters and story to life in a way that would resonate with audiences. **The Libretto: A Story of Empowerment and Friendship** The "9 to 5" musical libretto tells the story of three working women - Violet, Doralee, and Judy - who find themselves stuck in dead-end jobs at the Consolidated Companies, Inc. Violet, the protagonist, is a recently divorced woman trying to make ends meet; Doralee, a Southern belle with a heart of gold; and Judy, a young and ambitious newcomer to the company. As they navigate the challenges of their 9-to-5 jobs, they form an unlikely friendship that helps them find the strength and courage to take on their demanding and sexist boss, Franklin Hart. Throughout the musical, the libretto tackles themes of female empowerment, workplace equality, and the struggles faced by working women. The characters' stories are woven together through a series of humorous and poignant songs, including the iconic title number "9 to 5," which has become an anthem for working women everywhere. **Characters and Character Development** One of the key strengths of the "9 to 5" musical libretto is its well-developed and relatable characters. Violet, Doralee, and Judy are complex and multi-dimensional, with distinct personalities, motivations, and backstories. The libretto takes care to make each character feel fully realized, allowing the audience to invest in their journeys and root for them as they navigate the challenges of their lives. The character of Franklin Hart, the musical's villain, is also noteworthy. He is a masterfully crafted antagonist who embodies the sexism and misogyny of the era. His character serves as a foil to the women, highlighting their strength and resilience in the face of adversity. **Musical Numbers and Themes** The "9 to 5" musical features a range of memorable and catchy musical numbers, each of which serves to advance the plot, reveal character, or explore the themes of the story. Some standout numbers include: * "9 to 5," the iconic opening number that sets the tone for the musical and introduces the audience to the world of the Consolidated Companies, Inc. * "Tiffany's," a poignant ballad sung by Violet as she reflects on her dreams and aspirations * "The Best Thing About Me," a sassy and upbeat number sung by Doralee that showcases her Southern charm and wit The musical numbers in "9 to 5" are expertly woven into the narrative, serving to reveal character, advance the plot, and explore the themes of the story. The libretto is full of clever wordplay, witty one-liners, and humorous moments that keep the audience laughing and engaged. **Creative Process and Development** The development of the "9 to 5" musical libretto was a collaborative process that involved a talented team of writers, composers, and lyricists. According to interviews with the creative team, the process of adapting the film into a musical was a challenging but rewarding one. "We knew we had to stay true to the spirit of the film while also making it fresh and exciting for a new audience," said Kathy Fitzgerald, co-writer of the libretto. "We worked tirelessly to craft a book that would bring the characters and story to life in a way that would resonate with audiences." **Conclusion** The "9 to 5" musical libretto is a triumph of storytelling, character development, and musical theatre. Its witty, charming, and relatable story has captured the hearts of audiences worldwide, and its themes of female empowerment, workplace equality, and friendship continue to resonate today. As a testament to the No input data